Figure in the Landscape — Participants Hub (Private)

Last updated: September 14, 2025

Bookmark this page. Everything you need for the workshop is collected here so you don’t have to search through emails. Please keep links private.

-

-

-

-

Class Schedule (Europe/Rome)

Saturdays — September 6, 13, 20, 27; October 4, 2025, 18:00–22:00 (Europe/Rome)


Late enrollment: Your signup includes all past recordings, materials, and remaining live sessions.

Details - Session 1

🔗 Recording


A quick note about drawing

Drawing is often the most demanding part—especially in figure work. Since this workshop is open to all levels, use a two-track approach:


  • Plan A (recommended): Do your own drawing during the session.

  • Plan B: If it goes off track (or if you’re completely new), use the printable preparatory drawing to transfer and move on to the painting process. Keep practicing drawing, but for this class it’s okay to shortcut to painting.


🔗Printable drawing (both 30×40 cm and 12×16 in)


🔗Reference image folder


🔗Slides — Recurring mistakes (email)


Materials for Session 1


General setup

  • Easel or a comfortable support
  • Reference image: a good color print or a tablet (I’ll use an iPad) — folder above
  • Screen for the YouTube/Zoom stream (TV/monitor/tablet)


Drawing

  • White drawing paper, taped to a board or canvas with masking tape
  • Graphite pencils: HB and 2H recommended
  • Erasers: kneaded eraser + pencil eraser
  • Ruler (~60 cm)
  • Masking tape


Transferring / underdrawing on canvas

  • Oil-primed canvas with a dry Raw Umber imprimatura (prepare in advance so it’s dry)
  • Raw Umber (tube), palette, palette knife, paper towels, oil clamp, clip-on palette cup
  • A fine pointed brush #1 (sable)
  • Linseed oil and odorless mineral spirits
  • Ballpoint pen

Details - Session 2

🔗Slides (Session 2):


🔗Recording


🔗Reference with blur (values)

We’ll use a blurred version of the reference to emphasize value simplification when you squint. Keep that mental filter in mind throughout mixing.


My work-in-progress (hi-res images)


Materials for Session 2

  • Your transferred drawing on canvas (completely dry)
  • All oil-painting materials: paints, brushes, palette, palette knife
  • Medium: 30% linseed oil + 70% odorless mineral spirits
  • Optional: Oleo Impasto Medium by Michael Harding, or another silica-based gel medium

Details - Session 3

https://youtube.com/live/vub9d85RmgI?feature=share